L-R: Stan Buturia and Connor Bond in LUDWIG AND BERTIE. Photo by Anthony Paul-Cavanetta. |
Ludwig Wittgenstein (Connor Bond) and Bertrand Russell
(Stan Buturia) had little in common in nature, background, or philosophical
outlook. Russell was an Englishman, a
generation older than Wittgenstein, a heterosexual sensualist, a hedonist, a
pacifist imprisoned for refusing to serve in the First World War, and a
self-proclaimed agnostic. By contrast, Wittgenstein
was an Austrian, a bi-sexual, a decorated combat soldier in the First World
War, and a puritanical religious Catholic coming to grips with his Jewish
roots. Yet the two men had an enormous
effect on one another and were also arguably the two most dominant philosophers
of the twentieth century.
Ludwig
and Bertie by Douglas Lackey, currently premiering at Theater for
the New City on First Avenue in New York’s East Village, tells their
story. It is a comprehensive bio-pic of
the lives of the two philosophers, the influence they had on one another’s
philosophies, and the extraordinary relationship that existed between them. The play is a remarkable achievement on two
levels: on one level, it provides an exhaustive explication of their respective
philosophies (which even those most familiar with the concepts underlying analytic
philosophy should find informative and educational). And on another level, it also provides an
entertaining theatrical experience for those less committed to the nuances of
philosophical thought in its explorations of these men’s personae.
In penning Ludwig
and Bertie, Lackey has taken some liberty with historical facts (as often
occurs in bio-pics). For example, he
portrays an argumentative episode involving the aggressive wielding of a poker
as having occurred between Wittgenstein and Russell when it actually transpired
between Wittgenstein and Karl Popper (as describef by David Edmonds and John Edinow
in Wittgensteins’s Poker). And while it is true that Wittgenstein and
Adolf Hitler were schoolmates, there is no real evidence that they ever
actually met – then or as adults – although Lackey credits Wittgenstein with
having successfully appealed directly to Hitler to achieve freedom from the
Nazis for his siblings despite their Jewish ancestry. But these are minor matters and Lackey does
provide a true picture of the lives of Wittgenstein and Russell in the broadest
sense.
Both Connor Bond and Stan Butuna are outstanding in their
respective roles as Wittgenstein and Russell and they are ably supported by the
rest of the cast: Hayden Berry as the young Wittgenstein; Pat Dwyer as the
philosopher, G. E. Moore; Alyssa Simon as Russell’s paramour, Lady Ottoline
Morrell, and as Wittgensteins sister, Gretl Stonborough; and Daniel Yaiullo as
Wittgenstein’s gay lover.
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