|L-R: Molly Ryan, Peter Anderson and Will Anderson in SONGBOOK SUMMIT. Photo by Geri Reichgut.|
Irving Berlin was arguably the greatest American composer of the twentieth century and Jerome Kern may well have had an even greater influence on the Broadway musical, but Hoagy Carmichael was unquestionably “jazzier” than either of them – both figuratively and literally. Indeed, Carmichael was so “jazzy” in a figurative sense that he actually served as one of Ian Fleming’s inspirations in his creation of James Bond. And, in a literal sense, one need only listen to Bix Biederbecke’s recording of Riverboat Shuffle, Carmichael’s first big Dixieland hit – or recordings of Stardust or Skylark or Jubilee or Georgia on My Mind, for that matter - to appreciate the enormous musical contribution that Carmichael made to the jazz world.
Songbook Summit, featuring Peter and Will Anderson, two exceptionally talented musicians on saxophones, clarinets and flute, has been running at Symphony Space on Broadway on the Upper West Side of Manhattan since early August. It is a four weeks program devoted to the works of Irving Berlin (August 7-12), Jerome Kern (August 14-19), Hoagy Carmichael (August 21-26), and Jimmy Van Heusen (August 28-September 2). We were fortunate in having attended performances of both the Irving Berlin and Jerome Kern programs and we enjoyed them both immensely, not only for their musical entertainment values but for their educational values as well (see our recent reviews of both programs). But having just come from the penultimate performance in the Hoagy Carmichael program, I must say that, strictly from a musical standpoint, this was the best program of the three.
I suspect that that may be because Carmichael was so much more of a true jazz composer than Berlin or Kern ever were, so that the Anderson twins found themselves so much more in their own element when performing his works. And that may be true of the other very talented musicians backing up the Andersons as well: Tardo Hammer on piano, Clovis Nicolas on acoustic bass, Philip Stewart on drums, and Molly Ryan on vocals. But whatever the reason, the Carmichael program was just terrific with several knockout performances.
I was particularly taken with the Anderson twins’ opening performance of Riverboat Shuffle, with Tardo Hammer’s virtuoso solo piano performance of Heart and Soul, and, of course, with Molly Ryan’s big band renditions of Skylark, Jubilee, The Nearness of You, Lazy River, Two Sleepy People, and Georgia on my Mind. All in all, the segment of Songbook Summit devoted to Hoagy Carmichael clearly was a huge success.
The final program in this year’s Songbook Summit will focus on Jimmy Van Heusen and will run from August 28 through September 2. I can hardly wait.