Jamyl Dobson and Nandita Shenoy in WASHER/DRYER. Photo by Isaiah Tanenbaum.jpg. |
If
Ted Cruz truly wants to understand what “New York values” are about, he might
well attend a performance of Ma-Yi Theater Company’s delightful production of Washer/Dryer by Nandita Shenoy at the
Beckett Theater at Theater Row on West 42nd Street in midtown Manhattan. While that experience might lead him to the
initial (erroneous) impression that what New Yorkers (or at least
Manhattan-based co-op owners) prize above all else are their high status
washer/dryer appliances, he’d quickly be disabused of that notion as he came to
realize that “New York values” aren’t solely about money, the media, abortion
and same sex marriage after all.
To
be sure, New York is a progressive and polyglot city where a woman of Southeast
Asian descent and a man of Chinese descent can not only get along but may even
fall in love and marry; where an aspiring young Indian-American actress can be
best friends with a flamboyantly gay black man; and where a white female power-hungry
control freak may learn a lot about accepting her own son’s alternative sexual
orientation from a seemingly traditional, smothering and doting Chinese mother
But
so much for New York’s progressivism. New
Yorkers’ values also include a recognition of the fact that children can create
families of their own without abandoning their parents or the families and
traditions within which they were raised.
And New Yorkers’ values also include the realization that the generation
gap can in fact be bridged with enough goodwill (and effort) on all sides. And those values aren’t necessarily that
different from those of the rest of the country. In fact, they’re pretty universal.
Michael
(Johnny Wu) is a 30-ish Chinese-American free-lance copywriter, living in
Brooklyn with three roommates – which is about as far as he’s managed to get in
untying himself from his mother’s apron strings. Sonya (Nandita Shinoy), is a mildly neurotic,
aspiring actress of Indian descent whose success to date has been limited to
one major nationwide commercial and minor roles in a number of downtown
off-off-Broadway theatrical productions.
With the money she earned from the commercial and a sub-prime mortgage
loan, she has managed to acquire a small studio apartment (with a
washer/dryer!) in an Upper East Side co-operative building and that’s where
she’s currently living.
When
Michael and Sonya travel to Las Vegas on a Vegas Groupon, they’re carried away by
the moment (influenced, perhaps, by their stay in the Honeymoon Suite at the
Monte Carlo) and marry impulsively at The Little White Chapel. All well and good for they are very much in
love but, as we all know, the course of true love never doth run smooth (at
least not in the theatre). And so, when
they return to New York, they are forced to face reality and decide where to
live.
Obviously they can’t live in Michael’s
apartment (what with the three roommates and all) and their present financial
circumstances would seem to preclude their renting or purchasing a new
apartment for the two of them. So the only
immediately viable solution is for Michael to move into Sonya’s studio
apartment with her, small as it may be.
But what Sonya has neglected to tell Michael is that the rules of her co-op
prohibit occupancy of her apartment by more than one person. Which means that Sonya, unbeknownst to
Michael, attempts to pass Michael off as nothing more than a temporary guest in
her home, rather than as her husband.
That,
of course, makes for all sorts of complications. Wendee (Annie McNamara), the President of the
Co-op Board is a stickler for the rules (most of which are of her own making)
and she is generally distressed by Sonya’s flouting of those rules (including
her failure to carpet 80% of her apartment, her lack of window guards, and her
cavalier attitude toward leaving packages in the lobby). Michael’s presence in Sonya’s apartment
raises all sorts of suspicions in her mind - suspicions which are only amplified
when she encounters Michael’s mother, Dr. Lee (Jade Wu), cooking dinner in the apartment.
Meanwhile
Dr. Lee is most disapproving over Michaels’s marriage to Sonya, not because
Sonya is of Indian rather than Chinese descent, but simply because Dr. Lee
would disapprove of any woman whom her youngest son might have chosen to
marry. No girl, after all, could
possibly be good enough for him. But of
course it all gets sorted out in the end, with a bit of sage assistance from
Sam (Jamyl Dobson), Sonya’s flamboyantly gay, black best friend.
Washer/Dryer is great fun and
would make a wonderful pilot for a successful television sitcom series in the
manner of Friends or Cheers.
In writing her play, Nandita Shenoy has created several appealing
characters and her own portrayal of the lead character, Sonya, is absolutely
delightful. Johnny Wu does a fine job as
Michael in expressing just how torn he is between his mother and his new
wife. Both Annie McNamara as Wendee and
Jade Wu as Dr. Lee succeed in conveying how true it is that maternal love will
conquer all (so much for any disparagement of “New York values”!). And as for Jamyl Dobson as Sam, well what is
there to say? He is truly larger than
life, dominates any scene he is in, and yet succeeds in conveying a sense of
centeredness that actually transcends that of all the other characters.
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