L-R: Sasha Ellen and Spencer Cowan in SIGNAL FAILURE. |
Signal Failure made a bit of a
splash at the Edinburgh Fringe Festival, garnering rave reviews and playing to
sold-out audiences, but it has made scarcely a ripple since transferring to the
Soho Theatre on Vandam Street in downtown Manhattan for its US premiere. At the matinee performance I attended, there
were only eight others in the audience and, judging from their subdued
reaction, that is not about to change. Their
reaction really was one of willing acceptance or, at best, mild satisfiaction,
rather than enthusiasm or exuberance and I’m afraid I’d have to agree.
Lorna
(played by Sasha Ellen, who also wrote the play) and Brian (Spencer Cowan) are
two damaged souls who meet as a result of their convoluted travels on the
London Underground. From there, the play
is basically a minor variation on the “boy meets girl, boy loses girl, boy
recovers girl” theme, spiced up with some gratuitous sex. As it turns out, both characters have been
mourning losses, which presumably affects their relations with one another, but
the playwright seems to have thrown that in after the fact with little theatrical
exploration or analysis of the effects of those losses on the two protagonists.
Both
Ellen and Cowan are accomplished, talented actors and they play this two-hander
for all it’s worth. But, unfortunately,
the play itself isn’t worth much. with the result that the actors’ formidable
talents are largely wasted.
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