L-R: Gia Crovatin and Elizabeth Masucci in GOOD LUCK (IN FARSI) in SUMMER SHORTS 2013 at 59E59 Theaters. Photo by Carol Rosegg. |
For
the seventh consecutive year, Thoroughline Artists is presenting a Summer Shorts program of one act plays
by established and emerging playwrights at 59E59 Theaters on East 59th
Street in midtown Manhattan. This year’s
program consists of six plays evenly split between two series: Series A
includes Good Luck (in Farsi) by
Neil LaBute, About a Woman Named Sarah by
Lucas Hnath, and Breaking the Spell by
Tina Howe; Series B includes Falling
Short by Marian Fontana, Change
by Paul Weitz, and Pine Cone Moment
by Alan Zweibel. I just saw Series A and
I must say I was rather disappointed.
I
chose to attend Series A rather than Series B because I am a long time fan of
Neil LaBute and I was particularly eager to see his Good Luck (in Farsi), the first play on the Summer Shorts 2013 program.
Sad to say, I found it to be less a fully developed play than the merest
idea for a scene or a sketch; it might do as a workshop production of a part of
a play in progress but surely not as a full blown play in its own right.
Directed
by LaBute himself, the play focuses on Paige (Elizabeth Masucci) and Kate (Gia
Crovatin), two narcissistic lame-brained actresses auditioning for the same
role in a new television series. In what
is basically a two-hander, they perform as caricatures of what we’ve come to
expect of back-stabbing aspiring young actresses in such competitive situations
but, other than an amusing line or two, LaBute hasn’t brought anything new to bear
on this timeworn theme.
Neither
Masucci nor Crovatin ought be blamed for this, however. Indeed, they both are outstanding in their
respective roles and provide the audience with just as much entertainment as
the script will allow. It’s just that
the script itself is wanting.
L-R: Stephanie Cannon, Mark Elliot Wilson, Marisa Viola, and Ben Vigus in ABOUT A WOMAN NAMED SARAH in SUMMER SHORTS 2013 at 59E59 Theaters. Photo by Carol Rosegg. |
The
play consists of four sequential conversations between (1) John and Sarah; (2) Sarah
and John’s wife, Cindy (Stephanie Cannon); (3) John and Cindy; and (4) Sarah
and her husband, Todd (Ben Vigus). All
of the conversations are performed in a choppy staccato fashion, punctuated by
a series of off stage clicks, presumably to accentuate some features of those conversations
but all of which serves more to distract than to illuminate. I. Found. It. All. [Click.] To. Be. An. Annoying. [Click.] Waste. Of. Time. [Click.]
L-R: Michael Countryman, Crystal Finn, Evan Shinners, and Jesse Scheinin in BREAKING THE SPELL in SUMMER SHORTS 2013 at 59E59 Theaters. Photo by Carol Rosegg. |
The
music works, the spell is broken, Christabel awakens and goes off to live
happily ever after with her true love, the King’s Poor Wretched Fool (also
played by Evan Shinners). Breaking the Spell might have made it
as a short skit on the Sid Caesar Show in the early days of television but it
really is overreaching to think of it as a full-fledged theatrical production. What this play does have going for it,
however, are its two enormously talented musicians – Evan Schinners and Jesse
Scheinin – and it is they who provide the program with its most entertaining
moments.
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