Friday, October 7, 2016

DADDY ISSUES at Theatre at St. Clements

L-R: Shua Potter, Alex Ammerman, and Matt Koplik in DADDY ISSUES.  Photo by Stephen M. Cyr.
Daddy Issues by Marshall Goldberg, currently enjoying its Off-Broadway premiere at Theatre at St. Clements on West 46th Street in Manhattan’s theatre district, is a preposterous slapstick farce that demands a greater suspension of disbelief on the part of its audience than should be asked of even the most passionate theatergoer.  While the playwright is clearly well intentioned, he does succeed in demeaning the gay community, disparaging the Jewish community, insulting the aged, and tossing in a bit of fat-shaming to boot.  Quite an accomplishment for what had likely been intended to be a politically correct entertainment in the spirit of the television classic, All in the Family. 

Donald Moscowitz (Matt Koplik) is a gay, aspiring actor.  His parents, Sid (Tony Rossi) and Marion (Kate Katcher) would like nothing better than for him to abandon his lifestyle and give them a grandchild.  His grandmother (Deb Armelino), portrayed as a cardboard caricature of Molly Goldberg, shares their desire that another Moscowitz child be born so that she might become a great-grandmother.

At his wit’s end in light of his parents’ pressure that he father a child, Donald hatches a hare-brained scheme to convince them that he already has.  As it turns out, Donald’s near-sighted alcoholic neighbor, Mary Ellen McGuire (Allyson Haley) has a ten-year old boy, Johnny Walker (Alex Ammerman), and Donald hires Johnny to play the role of his own son.  And in order to pull the whole thing off, Donald enlists the aid of two of his friends - Levi Krauss, a drag queen (Shua Potter), and Henrietta Hudson, an overweight casting director (Elizabeth Klein).

Of course the scheme collapses but fear not: as the most far-fetched coincidences pile up, all turns out for the best for everyone on stage (although not so much for members of the audience).  But just to end on a more positive note: Shua Potter turns in a bravura performance as the drag queen and Alex Ammerman, as the young Johnny Walker, appears destined to have a very successful acting career ahead of him.


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